佛像的面相与体型，是鉴定佛像的关键。它包括面部的五官、身材的比例、肌肉的表现、整体的风格等等，哪怕同一朝代的不同时期，也有很大的差异。比如清代康熙、乾隆时期和嘉庆、道光时期的造像，就有着一定的差别。 The face and body of the Buddha are the key to identifying the Buddha. It includes facial features, proportion of body size, muscle performance, overall style, and so on, even at different times in the same dynasties. For example qing dynasty kangxi, qianlong period and jiaqing, the statue of daoguang period, have certain distinction. 其后，所谓细部与装饰，可以说是佛像鉴定时非常实用的小窍门。如明代莲花座与清代莲花座上的莲瓣装饰，明代莲瓣精细而长，且瓣与瓣中有小型三角装饰，而清代莲瓣则显得粗壮，瓣与瓣间也无装饰。因此，明清金铜佛像看莲瓣也是一个非常有效的方法。 Later, the so-called detail ministry and adornment, can be said to be Buddha's appraisal very practical little trick. Such as lotus lotus in Ming dynasty and qing dynasty on the lotus-shaped adornment, Ming dynasty lotus-shaped fine and long, and in the disc and the disc has a small triangle decoration, and the qing dynasty lotus-shaped is brawny, nor the adornment between valve and valve. Therefore, it is also a very effective method to see the lotus valve. 再有材料与质地，这是鉴定中最为直观的。铜佛像的材料主要有青铜、黄铜和红铜。在鉴定时，要注意不同的时期用铜是不同的。如同样是清代，早、中期是不同的，特别是乾隆时期，因为国力强盛和皇室对佛像的崇奉，这时造的佛像用材料特别好，所以乾隆时期佛像一上手，就有特别沉的感觉，而到晚清的佛像，手感要轻许多。 And then there is the material and texture, which is the most intuitive of the tests. Bronze, brass and red copper are the main materials of the bronze Buddha. In the evaluation, it is important to note that different periods of copper are different. Is as the same in the qing dynasty, the early and middle is different, especially in the qianlong period, because national strength strong and the royal family to worship Buddha, the Buddha made of materials especially good at this moment, so the qianlong period of Buddha to fit in is particularly heavy feeling, and the Buddha to the late qing dynasty, is much lighter touch.